With Natural Phase mode, it was possible to pick out regions in the highs above 12kHz and adjust them with a degree of finesse not possible with Zero Latency mode.
This is a low-latency mode with a more analogue-like response than Pro-Q's regular Zero Latency mode, and we found that it gives clearer results when working at the extreme top-end. "Spectrum Grab really is an astoundingly clever and well-executed feature"ĮQ connoisseurs will also be excited to learn of the new Natural Phase mode. These additions work and sound just as you'd expect, and the new slopes will be well received by sound designers and practitioners of surgical mixing. The number of available shapes has been raised to eight with the addition of Tilt Shelf - essentially a combination of high- and low-shelf filters that can be used to quickly adjust a signal's tonal balance by boosting the highs and damping the lows, or vice-versa.Īlso, while Pro-Q's filter slopes only went up to 48dB/octave, Pro-Q 2 has 72 and 96dB/octave modes available for every shape, too, and by using the steeper slopes with the bell filter, you can get the kind of useful flat-topped bell shapes that only a few EQs are currently capable of. These are all familiar: Frequency, Gain and Q, as well as the band's filter shape and slope.
Pro-Q 2's basic functionality remains unchanged from that of its forerunner: double-clicking the spectral display creates a new EQ band, with its adjustable parameters appearing in a floating panel below.
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